
In the third part of my conversation with Tom Drury, we rewind to his days studying creative writing with Robert Coover, 'a great teacher'.
 After a discussion about realism and seriousness, Drury moves on to: 
- his early short stories
 - his attempt to write different novels
 - 'The kind of sentences you want to make, it is not a static thing'
 - David Hockney and Drury's interest in art
 - the visual nature of Drury's prose
 - time and breaking the fourth wall
 - why Drury continues to write about Grouse County
 - 'They are my repertory company'
 - why he chooses not to write about Grouse County
 - Drury's work in progress
 - inspiration from folk tales, magic and Faust
 - 'I have never written about Mephistopholes'
 - the role of religion in Drury's life and work
 - on death, 'the unknowable thing'
 - Drury's 'mid-western paranormal noir'
 - his own return to Iowa and the possible affect on his work
 - on interviews and readings
 
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